The pedal is among the most versatile on the world market as it mixes distinct and complementary circuits. How many musicians use two separate lines, using considerable equipment and space on the pedalboard? FATTORIA MENDOZA has designed a single pedal to make up for this need and especially applicable to the May part of musical instruments. The Boogia Super Tone with an adjustment on twelve levels manages at best every kind of sound you want to obtain, in relation to the amplifier and the instrument used.
We wanted to optimize a full-bodied and powerful signal without compromise through the management of two distinct signals:
A. A high-gain Preamp / Overdrive with three stages of amplification, including a germanium power amp (already present in the Valve Head BOOGY).
B. An active three-stage EQ (High - Medium - Low) each with -/+ 15db cut-off or increment adjustment, with a BOOST output of 15db max.
The two circuits are separate and do not intervene in a chain between them, but remain parallel and independent. This pedal is flexible, in every way a universal pedal should be. First, let's try to get a preamplified timbre with characteristics close to the tube sound. The tonic flexibility that can be obtained from the settings optimizes the signal in a particularly fine way. With the Boogia Super Tone you can take flight in any situation - it's also a bomb when pushed to the max.

Listen to the demo at the following link

The pedal is very versatile, in all the ways an Overdrive should be. The knob with six different settings is required to better manage any kind of sound you want to get according to the amplifier and guitar used. We wanted to optimize a full-bodied and powerful signal. The goal is creating a sound that approaches the harmonics of a tube head, and it has been fully achieved. The choice of inserting germanium and tantalum components proved to be effective and distinguished the sound, making it particularly similar to the tube. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

BOOM is a FET BOOSTER with aa gain of about 30dB. The gain is not distorted not to alter the input signal unless you want it. You can fatten and distort your sound increasing or decreasing low tones. Boom can function as a valve in a circuit, handling the signal in the beginning or in the end of a chain of effects. It also works beautifully with bass guitars and acoustic guitars, and it is very useful in the end of  a chain of effects to remove the loss of tone caused by long wires (Buffer function). The noise you may hear while turning the Booster is completely normal. It indicates the change of Deviation on the FET. BOOM is particularly suitable as post-distortion to increase the signal level during solos without altering harmonics and the timbre
BOOM FET BOOSTER is capable to push your sound out in a very harmonic and linear way. It is perfect for fabulous solos!

Listen to the demo at the following link

The BUZZ BENDER is derived from the Bender distortion effects born in the 60s that characterized the evolution of the FUZZ circuits. Our aim was to produce a circuit whose FUZZ became globally powerful but manageable in dynamics and tone. This circuit’s peculiarity, that distinguished it since the first production in the 60s, is the close interaction between Balance (volume) and Sustain (FUZZ). The frequency response of the pedal characterizes its harmonic presence without emptying the set sound. The sound is differentiated by the presence of Germanic transistors, capable of reproducing a valve sound and, at the same time, transferring it to the downstream effects chain. The set of adjustments mixes the sound with the features of your instrument, amplifying its versatility and the possibilities of use. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

With the ECC8x, the valve saturation possibilities are infinite; the pedal is designed to play with a classic 12AU7 preamplifier valve. The project also involves the use of both a 12AX7 (higher signal) and a 12AT7 (more lively and a little less aggressive) in order to have different shades and tones. The choice of the valve is evaluated by the musician and the pedal is very versatile as it can be used both as a Boost, with gain under “1”, and as an overdrive, increasingly pushed according to the amount of gain chosen. Its task, in my opinion, is to be used as a light crunch (max 9 o' clock), and I would like to point out that, at this level, the Sustain is really remarkable already: its ability to be warm or sour, depending on how you want to set it, makes it a widely versatile instrument. The precise sound, never packed, is its main feature. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

Espresso, the compressor that allows you to fine-handle the dynamic pressure on your instrument. Increase the harmonics, High dynamic, no loss of attack, possibility to use as a booster.
The result is a pleasant sounding instrument that can increase your performance, and is for everyone.
The pedal uses the 1w amplifier chip, with volume control such as VCA and phase splitter for the side chain.

Listen to the demo at the following link

The pedal is among the most versatile on the world market as it mixes two distinct and complementary circuits. How many musicians use two separate lines, using considerable equipment and space on the pedalboard? FATTORIA MENDOZA has designed a single pedal to make up for this need and especially applicable to most musical instruments. The Fuzzone Super Tone with an adjustment on ten levels manages at best every kind of sound you want to obtain, in relation to the amplifier and the instrument used. We wanted to optimize a full-bodied and powerful signal without compromise through the management of two distinct signals:
A. A medium gain Fuzz (already present in the Fuzzone)
B. An active three-stage EQ (High - Medium - Low) each with -/+ 15db cut-off or increment adjustment, with a BOOST output of 15db max.
The two circuits are separate and do not intervene in a chain between them, but remain parallel and independent. Finally, a Master control allows you to optimize the most controlled IN/OUT signal ratio. This pedal is flexible, in every way a universal pedal should be. When the gain reaches the limits of the pedal, the sound becomes compressed and compacted, a Fuzz …Goooo with the rock!!! The sound of this pedal is a little unbalanced on high, in fact the guitar screams, but the bass is not lost and the attack remains the same that you have with the pedal off at any level of gain. In conclusion, this Fuzzone Super Tone is particularly suitable for those who want to do all that's included in "rock", "blues" and "funk" With the Fuzzone Super Tone you can take flight in any situation - it's also a bomb when pushed to the max.

Listen to the demo at the following link

The sound is well defined and transparent, it gets dirty very progressively as the pick becomes heavier. The timbre is the one of the 70s, derived from the Jimi Hendrix sound, to which was willingly given a wide handling of the attack and of the dynamics. FUZZZone is a Fuzz with a gain which is able to produce a compressed and compacted sound, becoming a CRUNCH sound, also ideal for hard rock. In fact, the sound of this pedal is a little unbalanced on the treble, but the bass is not lost and the attack remains the same with the pedal turned off at any level of gain. To sum up, the FUZZone is particularly suitable for those who want to do anything related to rock, blues and funk. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

The HI CRUNCH is a distortion pedal with high gain and low noise. It has been inspired by the typical British compressed sounds of the 70s and the 80s. The effect which has been obtained is able to maintain a clear and full timbre even with heavy distortion. The result enables the HI CRUNCH to be combined in sequence with other effects that increase its gain, maintaining an optimal signal-to-noise ratio and a great sound. Since the construction technique is aligned with the typical amplifier features, with a good current absorption, the achieved sound is very close to the one of a valve amplifier. The HI Crunch presence control amplifies its versatility and the possibilities of use. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

LADY WAH is an Auto Wah with very a fast and precise insertion, a quality that is rarely found in an Auto Wah. With this adjustment you can have a complete control on its effects. LADY WAH works with both guitar and bass and you can adapt it to your sound style, and it is perfectly integrated with your instrument. The pedal has exclusive control over the dropout speed of the frequency filter, you can set the speed for the Wah effects on both solos and on a more traditional sound. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

Live stage is a reverb that can create a wide and deep room with only two simple controls. It is a very practical and easy effect to set, allowing adjustments in real time. It is extremely realistic, since it does not modify the sound that goes through it. The two controls allow you to manage the width and depth of the room to be created. Cave, stage and room effects can be obtained. It is possible to obtain both very wide and deep environments, as well as just as narrow ones. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

The beauty of LUPO lies in its versatility. You can use it as a primary distortion for beautiful rock tones or as a boost for a powerful solo on an amplifier with a moderate distortion. LUPO can enrich the distortion sound when your amplifier would require too much volume to go into distortion. It was built to have two different levels of distortion. The rotation of the Presence towards the center is characterized by a sound increasingly cut off from the high frequencies, offering an intriguing sound. The result is an effect able to maintain a greater presence of saturation even at low bass, offering more creative and dynamic cue. the result allows the combination of LUPO also in sequence with other effects that increase its gain, especially with a BOOST or Treble Boost, maintaining an optimal signal-to-noise ratio and a great sound. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

The pedal is among the most versatile on the world market as it mixes two distinct and complementary circuits. How many musicians use two separate lines, using considerable equipment and space on the pedalboard? FATTORIA MENDOZA has designed a single pedal to make up for this need and especially applicable to most musical instruments. The MCRUNCH Super Tone with an adjustment on ten levels manages at best every kind of sound you want to obtain, in relation to the amplifier and the instrument used.
We wanted to optimize a full-bodied and powerful signal without compromise through the management of two distinct signals:
A. A medium gain Crunch/Overdrive (already present in the mCRUNCH)
B. An active three-stage EQ (High - Medium - Low) each with -/+ 15db cut-off or increment adjustment, with a BOOST output of 15db max.
The two circuits are separate and do not intervene in a chain between them, but remain parallel and independent. Finally, a Master control allows you to optimize the most controlled IN/OUT signal ratio. This pedal is flexible, in every way a universal pedal should be. First, let's try to get a preamplified timbre with characteristics close to the tube sound. The tonic flexibility that can be obtained from the settings optimizes the signal in a particularly fine way. With the MCRUNCH Super Tone you can take flight in any situation - it's also a bomb when pushed to the max.

Listen to the demo at the following link

The M CRUNCH is an overdrive pedal with mid-gain and low noise. It was inspired by the typical 80s compressed style sounds. The effect maintains a clear and full timbre even with heavy distortion. The result is that the M CRUNCH can also be combined in sequence with other effects that increase its gain while maintaining an optimal signal-to-noise ratio and a great sound. Since the construction technique is aligned with the typical amplifier features, with a good current absorption, the achieved sound is very close to the one of a valve amplifier. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

MAESTRO is a Treble Booster inspired by the legendary Dallas Rangemaster, widely used in the late 60s and early 70s. Queen, Eric Clapton, John Mayall from Black Sabbath and many others have made a great use of it. Nowadays it is still widely sought after, becoming a very rare feature. The sound is characterized by the German transistor (OC44 or equivalent) capable of reproducing a tube sound and, at the same time, is capable of transferring it to the chain of downstream effects. It boosts the mid and high sounds, and it adds a layer of sweet distortion to the guitar's sound. The addition of the dynamic knob blends the sound with the features of your instrument, amplifying its versatility and the possibilities of use. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

Nebula is a Phaser/Tremolo inspired to the circuits from the 60’s with the addition of several regulations of the oscillation and the tone. The innovation of Nebula lies in the high possibility of regulations of the effect, which allows to model the oscillation on an elliptical curve. The Phase develops by interacting the oscillation with the Bias. I inserted a MIX in order to regulate sound in the best way possible. In addition, having four different tone variations improves its versatility, allowing Nebula to be used both with electric and acoustic guitar and with bass and double bass. Nebula allows you to be as creative as you want.

Setting a low speed will give a very wide phase shift cycle with delicate sounds, very similar t those of Gilmour. You can perfectly emulate Pink Floyd settings, but that’s not it, with generous distortions and with the proper setting you can have the typical Van Halen sound.

Listen to the demo at the following link

RIPETENTE is a DELAY natural sounding DELAY with an analogue signal path, which reproduces approximately the same bandwidth as the conventional tape echo units, and can be used on the front of one or more amplifiers with effects in loop. There are no noise reduction circuits. This choice was made to keep the decay of the echo as natural as possible. There is no distortion or tonal coloration as long as the input level in the range remains below the supported threshold. The echo signal has a tuned filter to allow extreme adjustments without interference. The delay is specially designed to work even with distorted sounds. You can use the pedal before or after distortion. RIPETENTE works particularly well on clean sounds where the requirements are less strict, especially in terms of echo bandwidth and repetition. It was designed to function as an environmental delay in the most possible natural form. It allows an easy setting and adjustment of the delay. The addition of the Tap Tempo (+20€) and The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

TREMO is a LFO (Low Frequency Oscillator), a waveform generator that functions as an effect modulator in electronic and musical instruments. TREMO does not want to be particularly percussive. It reproduces a sinusoidal waveform without distorting the original harmonics of the musical instrument. The dynamic signal enhances the presence of the effect: it is possible to obtain a greater increase of the depth of the waveform closer to the saw tooth and therefore more percussive on request. The addition of the Soft Tuch without click is available (+20€).

Listen to the demo at the following link

The FLIGHT Chorus has its strong point in the depth of the pich, in the speed of the waveform and in the tonal adjustment able to heat the usually crystalline frequencies of the chorus. Successfully studied to be used with both the electric guitar and the bass guitar. Ideal for arpeggiated parts and accompaniment, achieving spatiality and warmth. The virtuosos of the bass, especially if policorde, will find it indispensable to add depth and expression to the solo parts, enhancing their harmonies. The FLIGHT Chorus is equipped with Tone control, as well as the classic Speed ​​(Speed) and Thickness (Depth) controls. The three controls allow you to find the best adjustment for each situation.

Listen to the demo at the following link

WoW is the Wah that wants to contain many of the nuances of the historical Wah. Thanks to the study of a greater tonal width, you can find the Dunlop and Vox Storici. The harmonic result will be particularly closed, with the pedal raised and very open and clear at the bottom. The circuit is run by Fasel Dunlop, it is the best we could ask for in order to obtain the desired result. Structurally simple but effective in effect. The circuit is True Bypass, no background noise and no power on LEDs. An added value is the lightness of the pedal, compared to the traditional Dunlop, wanted to make it easier to carry often with weights at the limit (like air travel). The Wah has been a standard in the music world since its introduction in the late 60s. Its sturdy construction and efficient design will give the Wah years of exceptional performance.

The Wah has been a standard in the music world since its introduction in the late 1960s. Its sturdy construction and efficient design will give it years of exceptional performance.

Our discrete component WTF buffer has been specifically designed to overcome the problems often encountered with amplification of electrical instruments, especially when equipped with magnetic transducers. A frequent cause of these problems is impedance mismatch in the electrical circuit between the pickup and subsequent equipment: this mismatch has been completely eliminated with the introduction of our WTF. The input impedance is identical to that of a high quality valve amplifier and our class A preamplifier also features a highly effective RF filter that helps prevent interference from nearby radio transmitters. The pickup output must be connected directly to the WTF input with a low-loss shielded cable; the WTF output can now be connected to any effect or volume pedal (if used) and then to the amplifier, using fully shielded cables throughout the amplifier. A further use of WTF is to isolate long power cables that can cause signal and tone losses at the end of an effects chain, particularly if the final effect has a high impedance output (e.g. a 250KW volume pedal). When using many effects it may be useful to add a WTF in the middle of the chain, thus avoiding an accumulation of signal loss that can occur with mismatched impedances between effects.